This is an album that was not released, at least
not until 1997. This would have been the group's first album although the previous
singles and other tracks were later released in 1981 as The Ultimate Action
and re-released with additional tracks on CD a few years later. The fact that Rolled
Out was not released at the time was probably due to the fact that none of
the group's singles had charted despite the sizeable club following that the
Action enjoyed. The band had hoped that Polydor would pay for the tracks to
be recorded properly but the cash never appeared.
The tracks included on Rolled Gold are
effectively demo recordings although the quality of the Action does shine
through. However, the sound is very different to that of The Ultimate Action.
The band has moved away from its Motown/R&B influenced sound to a more
laid-back, almost West Coast feel. This could well have been the beginning of Mighty
Baby. The fact that these are demo tracks does not
detract from their quality. The sound is close to the Zombies' Odessey &
Oracle or early Traffic. One thing that remains from the earlier tracks is the wonderful
sound of Reggie King's voice and the backing vocals. Reggie King shows
himself to be an even better singer than the earlier singles suggested as he
adapts superbly to this very different style. This is a slightly
different band to that on The Ultimate Action. Pete Watson had left and was
replaced by Ian Whiteman who played keyboards and flute as well as Martin Stone
on lead guitar. By now the group was embracing different aspects of late 1960s
culture. Watson, it is said, wanted to retain his brain cells! Furthermore, there are no cover versions on Rolled Gold
unlike the previous album. However, the band was already starting to write
strong tracks of its own as Shadows and Reflections testifies.
Come Around is a strong opener. Something
to Say is a track that starts quieter which is later driven along by Roger
Powell's drumming. It would have been great to hear a fully-produced version of
this track as it has a strong melody. Love is All is clearly indicative
of the more laid back sound with minor guitar chords and soft flute sounds from
Whiteman. Icarus tried to fly to the sun. The Action's track also
aims high with Reggie King's vocals again to the fore. The guitar (Martin
Stone?) moves to the front on Strange Roads where the riff repeats itself
through the song. Good to here some fuzzy guitar here. The guitar gives this
track a heavier sound but the vocals, lead and backing, are softer providing
some sort of contrast. The following song Things You Cannot See is
another quieter track with acoustic guitar backing. Brain is one of the
best tracks on the album with powerful vocals and background wah-wah
guitar.
The second side continues in similar style. There
are even Beatle-ish elements such as on Climbing Up the Wall. You could
imagine John Lennon singing this. The track is another one that benefits from
the soft flute sounds. Follow Me sees the return of the fuzz guitar with
a riff that drives through the song.
Release Date: 1997
Dig the Fuzz Records DIG 025
Essential Tracks:
- Something to Say
- Brain
- Follow Me
Track Listing:
Come Around
Something to Say
Love Is All
Icarus
Strange Roads
Things You Cannot See
Brain
Look at the View
Climbing Up the Wall
Really Doesn't Matter
I'm a Stranger
Little Boy
Follow Me
In My Dream
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